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Description:Out of this pile of whimsical detritus emerges some genuinely dark and uncanny music, and throughout Agnel remains impressively in command of all these rattles, roars, buzzes, squeals and other less describable sounds and sounds-within-sounds. If the performance lacks that alarming stuck-in-someone's-head vibe of say a Fred Van Hove or Keith Tippett solo recital at its most intense and self-involved, it's nonetheless music that seems to gain in richness and detail every time you listen to it. The piece is divided into three parts, and, like Dante, Agnel puts the inferno first: The anvil-blows and mutely pummelled rhythms thin out after 15 minutes into a really lovely passage of bowed strings: Part 2 is a short Gothic nightmare interlude in three segments — a banshee wail introduction, a demented circular nursery-rhyme episode, and a passage involving dissonant swipes across the strings, which start piling up until Agnel's flailing around like a drowning swimmer.

Views: 8377 Date: 2018-11-29 Favorited: 91